2. The What If Stage?
At this stage in the art process I have gathered everything me that draws my interest for the project at hand. The media is not a factor at this point. I need to look and process in my mind the direction I might take. It is like a giant jig saw puzzle, what if I put this here, what if I join this with that, what if this texture works with this element? And it goes on and on, a constant questioning, and moving of one object to another place or another, taking an image out, leaving one in, does idea flow in my mind. If we wanted a more technical name for this process it would be called divergent thinking. I am not concerned at this point about how things attach, even if it is possible, only that it brings a possibility or interest.
At this stage in the art process I have gathered everything me that draws my interest for the project at hand. The media is not a factor at this point. I need to look and process in my mind the direction I might take. It is like a giant jig saw puzzle, what if I put this here, what if I join this with that, what if this texture works with this element? And it goes on and on, a constant questioning, and moving of one object to another place or another, taking an image out, leaving one in, does idea flow in my mind. If we wanted a more technical name for this process it would be called divergent thinking. I am not concerned at this point about how things attach, even if it is possible, only that it brings a possibility or interest.
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| image transfer on porcelain glove form, ceramic ink on clay, washers, nuts |
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| Building the base of an assemblage, wooden box, old typewriter case, test tubes insects and cocoon. |
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| Glue, jewelry tool, transparent line, rusted metal ribbon, and disk |
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| close up of rusty disk with rich oranges and brown tones |
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| snake skin, honest nest, and elements from nature |
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| Ceramic ink transfer on white clay body, moths |
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