Showing posts with label perspective. Show all posts
Showing posts with label perspective. Show all posts

Sunday, October 20, 2013

WHY YOU SHOULD TRY TO UNDERSTAND TO THE ART YOU HATE!

I know what I like!

Art is in the eye of the beholder.

A child could do that! 

These are all expressions one hears about art and often it is in response to art that we either don't understand or that we have a strong reaction to.

Art is constantly evolving and changing as well as peoples reaction to art. TODAY Impressionism is still one of the most popular art forms, but only a short time ago it was rejected by the art critics and public of the time.  Impressionists had to hire their own space to show their work to even have it shown to the public. Before Impressionism art was less colorful and more exacting in realistic replication.  It was called sloppy, junk, and blurs in the newspapers in Paris and art collectors snubbed Impressionists artists of the day. So why the strong reaction of the critics, the public and the news papers...why were people so stunned by this new art style?

If anything, what came to be called Impressionism was a natural consequence of confluent forces, social, technological, and economic, as well as aesthetic.


Monet's Water Lilly's      Impressionism      
from google only for the purposes of education


"Change was inevitable. Whenever art becomes institutionalized and rigid in terms of what is and isn’t permissible, artists are going to seek new solutions to old challenges. The history of art is a continual response to changing social conventions, political events, and cultural influences, and the second half of the 19th century in Europe was especially volatile.
Among other things, technology was developing rapidly and dramatically. Industrialization had taken hold, and the steam engine was becoming practical, facilitating rail and ship travel. Most important to the history of art, photography had made enormous strides since its introduction by Niepce and Daguerre in 1839,2 and it contributed to the rise of Impressionism in a surprising way.
For the Impressionist painters photography could tell them what something looked like, but not how one saw it.
It’s easy to think of photography vs. painting in terms of reality vs. a transformed version of reality, but that’s deceptive. For the Impressionist painters photography could tell them what something looked like, but nothow one saw it. Early black and white photographs were a record of what was at the moment the photo was taken, but it couldn’t come close to replicating the experience of seeing." From the article by  by John Crowther  


Neo-Classism was the accepted art of the day
from google image for education only

So we evolve from handprints on caves to Egyptian body image to Da Vinci's anatomically correct bodies, from the Greeks' perfect proportion to raised perspective to 3 dimensional.  We learn more, we invent something else and things change along with peoples ideas about art.  Even artists disagree about what is good art and what is not.  We ask our selves the basic question of what is art.   Duchamp's r.e. Mutt presented confronted us with that dilemma.


Marcel Duchamp, Surrealist questioning " What is Art"

So do you have to like something you do not like, No.  But you do need to ask yourself why...why do I react to this?  Is it because I can 't understand it or is it another reason?  To have an open mind, to be curious and to react are what artists hope for in their public.  

Artists basically reflect our times, values, and questions back to us, that is their basic function...shaman of their times.  It may be an in your face selection, a pleasant non threatening reflection, it may ask you to think or feel or experience, but art does ask something of us.  Man will always replicate his world and environment in visual elements, as well as, reenactment as drama, and in music.  We constantly seek to understand the world around us and our experiences in that world.  Art is the first language of man and since time began we seek to increase our vocabulary.
by Elizabeth Gordon, Rms

Saturday, May 4, 2013

THE DNA OF ART

WHERE ART AND SCIENCE MEET


Leonardo Da Vinci      from google for educational purposes only

Artists have used science and science has used art for hundreds of years, it is almost a symbiotic relationship. We just are not always aware that is so and has been so for ions.  

Leonardo Da Vinci invented not only the thought processes that led to helicopters, airplanes, machine guns and other technology, but he also invented techniques and applications of art that were new to his time. Have you ever noticed when you view the Mona Lisa she seems to follow you where ever you are standing in the room? It is the way in which he painted her eyes that helped achieve that end. Sfmato was another technique Leonardo invented, which blurs the background to the image. His use of complex perspective allowed us to see art more dimensionally that we ever had previously.  Have you ever noticed how Dali used the double helix in his symbology in his paintings. Dali was friends with the brightest scientific geniuses of his time.   Paints in tubes took artists outdoors and enabled them to do plein air painting for the first time.  New paints changed the color pallet artist had available. 

To See a time line of art innovations click below
Time Line of New Techniques in Art...read more(<click here)
  • ARTIST WHO USES DNA TO PRODUCE PORTRAITS!
Dewey-Hagborg’s odd habit has a larger purpose. The 30-year-old PhD student, studying electronic arts at Rensselaer Polytechnic Institute in Troy, New York, extracts DNA from each piece of evidence she collects and enters this data into a computer program, which churns out a model of the face of the person who left the hair, fingernail, cigarette or gum behind.
Dewey  Hagborg Dna portraits    from google for educational purposes only

It gets creepier.
From those facial models, she then produces actual sculptures using a 3D printer. When she shows the series, called “Stranger Visions,” she hangs the life-sized portraits, like life masks, on gallery walls. Oftentimes, beside a portrait, is a Victorian-style wooden box with various compartments holding the original sample, data about it and a photograph of where it was found.


Read more: http://blogs.smithsonianmag.com/artscience/2013/05/creepy-or-cool-portraits-derived-from-the-dna-in-hair-and-gum-found-in-public-places/#ixzz2SLyqjN62 
Follow us: @SmithsonianMag on Twitter


Related Posts Plugin for WordPress, Blogger...